Mithrai: Difference between revisions

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{{Quote|text=Fight for glory! For yourself, for your country, for your cause - Mithrai cares not why. She revels in it all the same, in the clash of steel and the blast of a fireball. Create such a spectacle through your battles that Mithrai herself will be called down to watch.|sign=Excerpt from a speech by an unknown [[Razivia|Razivian]] battle-warden}}'''Mithrai''' {{Pronunciation|mith-RIGH}} is a pantheonic goddess commonly associated with conflict, weapons, tactics, and healing.
== Abanir pantheon ==
{{Clear|
{{DeityInfobox
|name = Uxtama
|image =
|titles =
* The War-Horse
|type = Pantheonic deity
|pantheon = [[Abanir pantheon]]
|adjectives = Mithraian
|plane = Material
|alignment = Neutral
|areas_of_concern = War, strife, horses, hunting
|worshipers = Warriors, mercenaries, herders, guards, horsemen
|cleric_alignments = {{Alignment grid
| on  | on  | on
| on  | on  | on
| on  | on  | off
}}
|domains = Ambition, Destruction, Might, Nature, Zeal
|divine_font = Heal or Harm
|divine_skill = Athletics or Medicine
|divine_ability = Dexterity or Strength
|favored_weapon = Shortbow
|symbol = Horse
|sacred_animal = Horse
|sacred_colors = Tan and white
}}
'''Uxtama''' {{Pronunciation|ooks-TAH-mah}} the War-Horse is a goddess of war, strife, horses, and hunting. She is the patron of the [[targai]], the nomadic peoples of the [[Aban Steppe]]. Uxtama is simultaneously caring and capricious, favoring only the strong and willing to abandon on a whim those she formerly smiled upon, yet going to great lengths to benefit those who keep her satisfied. Targai warriors and mercenaries commonly give tributes to Uxtama, as do herders, city guards, and others whose lives require the need for martial training.
Uxtama's holy animal is the horse, thought to be the goddess's first gift to the world. Originally granted to a tribe in the time before history, the horses escaped into the broader world after the tribe disappointed Uxtama through their complacency. In their role as holy animals, horses reflect the practicality of the goddess. They are venerated as gifts from the divine world, yet it is also completely acceptable to butcher them, eat their meat, and tan their hides, as nourishment and resources are no less important to maintaining one's strength than prayer.
Great effigies in equine forms dot the open steppe of [[Abanir]], built by the targai clans in honor of the goddess. These wood and bone statues are constructed over the sites of fruitful hunts or victorious battles to let Uxtama see the results of her blessings.
Uxtama is usually depicted as a horse, painted and draped in bone ornaments.
=== Edicts and anathema ===
{{DeityReference
|edicts = Practice and hone your abilities, maintain your weapons and armor, defeat those who threaten you
|anathema = Ignore an issued challenge, allow others to fight your battles for you, mistreat a horse
}}
}}
== Aserdian pantheon ==
{{Clear|
{{DeityInfobox
|name = Markab
|image =
|titles =
* She With The Powerful Heart
* Life-Taker
* Life-Giver
|type = Pantheonic deity
|pantheon = [[Aserdian pantheon]]
|adjectives = Mithraian
|plane = Material
|alignment = Neutral
|areas_of_concern = Conflict, weapons, tactics, healing
|worshipers = Soldiers, mercenaries, warriors, healers
|cleric_alignments = {{Alignment grid
| on  | on  | on
| on  | on  | on
| on  | on  | on
}}
|domains = Ambition, Destruction, Healing, Might, Zeal
|divine_font = Heal or Harm
|divine_skill = Athletics or Medicine
|divine_ability = Dexterity or Strength
|favored_weapon = Greataxe
|symbol = Crossed greataxes
|sacred_animal = Tiger
|sacred_colors = White and yellow
}}
'''Markab''' {{Pronunciation|MAR-cab}} is a goddess of conflict, weapons, tactics, and healing. She is widely seen as a deity one worships out of necessity, prayed to when threatened and in need of strength. Many call upon her in times of strife, but in other times she remains a relatively minor deity in the pantheon. As is common with interpretations of the goddess across pantheons, Markab and her clergy do not condone mindless violence. An attack against a defenseless foe is a slaughter, not a fight. Victory is hollow against an enemy who can no longer pose a challenge.
Her followers vary widely, from tribal warriors to professional city guards to the herder that picks up a weapon to defend their flock. Her most devout frequently set up sparring matches with each other, using the ritualized violence as a form of prayer. Temples and priests of Markab are widespread, but they almost never preach or proselytize, as her followers prefer to learn from direct experience in the form of challenges sent from their goddess.
Markab is depicted as a scarred warrior, usually dressed in practical armor with minimal ornamentation and carrying some type of weapon, most often a spear. In some depictions her weapon is shown as broken, representing those that continue to fight for survival even when the odds are strongly against them. She is nearly always pictured in the company of an armored animal companion, usually either a large cat or a dinosaur.
=== Edicts and anathema ===
{{DeityReference
|edicts = Practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
|anathema = Seek out fights, kill or injure surrendered opponents, allow others to fight your battles for you
}}
}}
== Chaskan pantheon ==
{{Clear|
{{DeityInfobox
{{DeityInfobox
|name = Mithrai
|name = Mithrai
|image =  
|image =  
|titles =
|titles =
* Wielder of the Knife
* The Scarred One
* Lord of Slaughter
* Wielder of the Blade
* Rending Claws
|type = Pantheonic deity
|type = Pantheonic deity
|pantheon = [[Chaskan pantheon]]
|adjectives = Mithraian
|adjectives = Mithraian
|plane = Material
|plane = Material
|alignment = Neutral
|alignment = Neutral
|areas_of_concern = Conflict, weapons, tactics, healing
|areas_of_concern = Conflict, weapons, tactics, healing
|worshipers = Soldiers, mercenaries, medics
|worshipers = Soldiers, mercenaries, healers
|cleric_alignments = {{Alignment grid
|cleric_alignments = {{Alignment grid
| on  | on  | on
| on  | on  | on
Line 22: Line 114:
|divine_ability = Dexterity or Strength
|divine_ability = Dexterity or Strength
|favored_weapon = Greataxe
|favored_weapon = Greataxe
|symbol = Bundle of seven arrows
|symbol = Crossed greataxes
|sacred_animal = Lion
|sacred_animal = Lion
|sacred_colors = White and yellow
|sacred_colors = White and yellow
}}
}}
{{Quote|text=Fight for glory! For yourself, for your country, for your cause - Mithrai cares not why. She revels in it all the same, in the clash of steel and the blast of a fireball. Create such a spectacle through your battles that Mithrai herself will be called down to watch.|sign=Excerpt from a speech by an unknown [[Razivia|Razivian]] battle-warden}}'''Mithrai''' {{Pronunciation|mith-RIGH}} is the goddess of conflict, weapons, tactics, and healing.


== Edicts and anathema ==
'''Mithrai''' {{Pronunciation|MITH-righ}} is the goddess of conflict, weapons, tactics, and healing. She is closely associated with adventurers and those who willingly set out to brave the dangers of the world.
 
Mithrai's faithful vary widely in alignment, status, and role. She will accept any who prove themselves through combat, whether that be an honorable soldier, a greedy brigand, mercenaries, or something else entirely. She is also worshiped widely by many competitive fighters and others whose combat takes more codified and considerably less lethal forms. Battlefield medics, war clerics, and surgeons all count amongst her faithful as well. The goddess does not, however, condone mindless violence. An attack against a defenseless foe is a slaughter, not a fight. Victory is hollow against an enemy who can no longer pose a challenge.
 
Perhaps more so than with any other deity, followers of Mithrai frequently find themselves on opposing sides. To her devotees, to fight another of the faith is one of the highest forms of worship possible, an opportunity to show one’s mastery of their chosen form of combat. Clerics of Mithrai often seek each other out in order to issue challenges in the form of ritualized prayer-duels. Wargames carried out by commanders are often seen as a form of worship as well.
 
Born from the ferocity of the struggle between [[Socharin]] and [[Lotan]] at the dawn of creation, Mithrai embodies the violence of combat. The reason for the fight or the methods used are irrelevant to her - all that matters are the emotions, strength, and sheer bravery that get swept together into the maelstrom of battle. Mithrai is not only the patron of those that fight, however, but also of those that ensure combatants can live to spar another day. The healers, the protectors - all involved in battle are glorious to Mithrai, not only the warriors themselves.
 
According to many of her clergy, Mithrai is one of the most frequent allies of [[Harinna]] in her great divine battles against Lotan. She often steps back from this role, however, in order to ensure no side gains an advantage and the fighting continues unabated. The displays of prowess involved are so extraordinary, so it is said, that she is willing to risk giving Lotan a chance in order to make sure the battles never cease.
 
Followers of Mithrai generally eschew formal church structures. Temples to the goddess rarely officially affiliate with each other, though they generally maintain friendly if competitive relations. In places at war with each other, temples to Mithrai are often seen as neutral space where combatants can meet with the promise of protection.
 
The goddess' holy text is ''[[The Battle of the Gods]]'', an epic poem narrating the tale of the fight between Lotan and the other gods at the beginning of creation. Followers to Mithrai often modify this poem to retroactively insert their saints into the epic, usually as attendants to the goddess.
 
Though the details vary heavily by culture and location, Mithrai is usually depicted as a battle-scarred soldier. Dressed in practical armor with minimal ornamentation and typically carrying a greataxe, most renditions of Mithrai are rather mundane in nature, rarely evoking direct divine symbolism. She is often depicted in the company of an armored animal companion, usually a large cat native to the region but sometimes another creature instead.
 
=== Edicts and anathema ===
{{DeityReference
{{DeityReference
|edicts = Seek opportunities to fight, practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
|edicts = Seek opportunities for worthy fights, practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
|anathema = Ignore an issued challenge, kill or injure surrendered opponents, allow others to fight your battles for you, become complacent
|anathema = Ignore an issued challenge, kill or injure surrendered opponents, allow others to fight your battles for you, become complacent
}}
}}
}}


== Description ==
== Khapeshan pantheon ==
{{DeityDisclaimer}}
{{Clear|
{{DeityInfobox
|name = Maahes
|image =
|titles =
* Wielder of the Knife
* Lord of Slaughter
|type = Pantheonic deity
|pantheon = [[Khapeshan pantheon]]
|adjectives = Mithraian
|plane = Material
|alignment = Neutral
|areas_of_concern = Conflict, weapons, tactics, healing, alcohol
|worshipers = Soldiers, mercenaries, healers, brewers
|cleric_alignments = {{Alignment grid
| on  | on  | on
| on  | on  | on
| on  | on  | off
}}
|domains = Ambition, Destruction, Healing, Might, Zeal
|divine_font = Heal or Harm
|divine_skill = Athletics or Medicine
|divine_ability = Dexterity or Strength
|favored_weapon = Greataxe
|symbol = Lotus flower
|sacred_animal = Lion
|sacred_colors = White and yellow
}}


Born from the ferocity of the struggle between [[Socharin]] and [[Lotan]] at the dawn of creation, Mithrai embodies the violence of combat. The reason for the fight or the methods used are irrelevant to her - all that matters are the emotions, strength, and sheer bravery that get swept together into the maelstrom of battle. Mithrai is not only the patron of those that fight, however, but also of those that ensure combatants can live to spar another day. The healers, the protectors - all involved in battle are glorious to Mithrai, not only the warriors themselves.
'''Maahes''' {{Pronunciation|MAH-hess}} is a goddess of conflict, weapons, tactics, healing, and alcohol. The capricious goddess is simultaneously a fighter and a healer, one who can both cause grievous injuries and tend to wounds, all depending on her unpredictable whims.
 
Maahes is the patron of many disparate groups. Soldiers and adventurers worship her for her martial domains, while healers and herbalists do so in hopes of receiving divine guidance in tending to their patients. Her followers vary widely in alignment, as the goddess will accept any whose actions do not further the interests of [[Apep]]. Maahes is also the patron of brewers, who often invoke the goddess to bless their alcohol.
 
As the warrior of the gods, Maahes is one of [[Harakhte|Harakhte's]] most important attendants in the battles against Apep. Though the other gods rely on Maahes heavily to keep the Serpent at bay, they simultaneously fear her. Maahes' bloodlust after each nightly encounter is so great that she sometimes refuses to stop fighting after Apep retreats at the coming of the dawn, turning her violent attentions to the other gods instead. Every time she does so they lead her to one of the Rivers of the Dead, to a particular waterway said to flow with endless beer. Her attentions diverted, Maahes drinks until she calms and rests, forgetting her battles for a time. This is said to be the only way Maahes can be placated.
 
From their grand temple in [[Naqada]], a city in lower [[Khapesh]], the priesthood of Maahes provides guidance and instruction to the many other temples to the goddess that can be found across the kingdom. Temples to Maahes are extremely important places in most communities, as their clergy are expert healers renowned for their ability to treat nearly any injury or ailment through both magical and mundane means. Many travel Khapesh and abroad, serving as itinerant war clerics who solve the troubles of the places they venture, whether that come in the form of defeating local foes or tending to the sick.
 
Maahes is depicted as a lion-headed figure, often holding weaponry of various types.
 
=== Edicts and anathema ===
{{DeityReference
|edicts = Seek opportunities for worthy fights, practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
|anathema = Ignore an issued challenge, allow others to fight your battles for you, abstain from alcohol
}}
}}
 
== Kirnashal pantheon ==
{{Clear|
{{DeityInfobox
|name = Mihr
|image =
|titles =
* The Instigator
|type = Pantheonic deity
|pantheon = [[Kirnashal pantheon]]
|adjectives = Mithraian
|plane = Material
|alignment = Chaotic neutral
|areas_of_concern = Change, beginnings and endings, healing, art, violence, the day
|worshipers = Various
|cleric_alignments = {{Alignment grid
| on  | on  | on
| on  | on  | on
| on  | on  | on
}}
|domains = Air, Change, Creation, Destruction, Freedom, Might, Passion, Water
|divine_font = Heal or Harm
|divine_skill = Intimidation or Medicine
|divine_ability = Strength or Charisma
|favored_weapon = Tabar
|symbol = Sand mandala
|sacred_animal = None
|sacred_colors = White and purple
}}
 
'''Mihr''' {{Pronunciation|MEER}} the Instigator is a goddess of many domains, including beginnings and endings, healing, art, violence, and the day. She is the chaotic counterpart of [[Sraosheh]] and the divine embodiment of the cosmic force of change.
 
In the teachings of Mihr, change is the only constant. Frenzied and aggressive, she is driven by a ceaseless desire to transform and alter the world, even if these acts are only for their own sake. The goddess and her clergy promote artistic expression, creativity, and even violence at times.
 
Priests of Mihr are healers and fighters alike, as both creation and destruction lead to a changed world. Many are accomplished artists within the employ of the monarchs of [[Amshan]], or otherwise seek outlets for creative expression in honor of their goddess.
 
Depictions of Mihr tend to be ostentatious, portraying the goddess as a humanoid figure in motion, clothed in elaborate and colorful robes bearing either intricate patterns or imagery of the sun. Mihr and Sraosheh are often portrayed as two halves of a whole, sometimes in a very literal manner as two faces on opposite sides of one head.
 
The clergy of Mihr and Sraosheh nearly always share temples and worship in close proximity to each other. In these temples Mihr's clerics create beautiful patterns in their sand floors every morning, which over the course of the day become indistinct and eventually erased completely by the ritual pacing of her followers. These acts represent the endless change brought by Mihr.
 
When the Scales tilt in Mihr's favor, the world becomes more chaotic, dynamic, and innovative.
 
=== Edicts and anathema ===
{{DeityReference
|edicts = Creatively express yourself, heal a wounded fighter, ask questions, seek opportunities to change the world
|anathema = Create repetitive or derivative works, become complacent, tolerate stagnancy, follow orders unquestioningly
}}
}}
 
== Talgazan pantheon ==
{{Clear|
{{DeityInfobox
|name = Vihansa
|image =
|titles =
|type = Pantheonic deity
|pantheon = [[Talgazan pantheon]]
|adjectives = Mithraian
|plane = Material
|alignment = Neutral
|areas_of_concern = Healing, conflict, weapons
|worshipers = Warriors, mercenaries, guards, healers
|cleric_alignments = {{Alignment grid
| off  | on  | on
| off  | on  | on
| off  | on  | on
}}
|domains = Ambition, Destruction, Healing, Might, Zeal
|divine_font = Heal or Harm
|divine_skill = Athletics or Medicine
|divine_ability = Dexterity or Strength
|favored_weapon = Spear
|symbol = Crossed spears
|sacred_animal = Sabre cat
|sacred_colors = White and yellow
}}
 
'''Vihansa''' {{Pronunciation|vee-HAN-sah}} is a goddess of healing, conflict, and weapons. She is both the patron deity of those that tend to the physical and psychological ailments of others as well as the goddess that aids mortals in inflicting such injuries. All knives are guided by Vihansa, whether the blade is intended to heal or harm.
 
Vihansa's faithful can vary widely, from the fiercest and toughest warriors to those that tend to their communities without lifting a hand in violence. Her two distinct sides are not seen as oppositional, however, but rather as inseparable. Sometimes to heal one it is necessary to harm another, but application of both must be measured and careful. The priesthood of the goddess teaches patience, planning, and forethought over actions borne of instinct or emotion.
 
Vihansa is usually depicted as a woman wearing a traditional healer's bone mask, armed with both an obsidian surgical blade and a spear.
 
=== Edicts and anathema ===
{{DeityReference
|edicts = Tend to the ailments of others, seek opportunities for worthy fights, maintain your weapons and armor, act carefully
|anathema = Kill or injure surrendered opponents, allow others to fight your battles for you, take hasty action
}}
}}
 
== Taruhmite pantheon ==
{{Clear|
{{DeityInfobox
|name = Marhhish
|image =
|titles =
* The Bringer of Pain
|type = Pantheonic deity
|pantheon = [[Taruhmite pantheon]]
|adjectives = Marhhi
|alignment = Neutral
|areas_of_concern = Disease, injury, undrinkable water, pests
|worshipers = Small cults
|cleric_alignments = {{Alignment grid
| off  | on  | on
| off  | on  | on
| off  | on  | on
}}
|domains = Abomination, Pain, Plague, Swarm, Water
|divine_font = Harm
|divine_skill = Intimidation or Survival
|divine_ability = Constitution or Charisma
|favored_weapon = Dagger
|symbol = None
|sacred_animal = None
|sacred_colors = None
}}


According to many of her clergy, Mithrai is one of the most frequent allies of [[Harinna]] in her great divine battles against Lotan. She often steps back from this role, however, in order to ensure no side gains an advantage and the fighting continues unabated. The displays of prowess involved are so extraordinary, so it is said, that she is willing to risk giving Lotan a chance in order to make sure the battles never cease.
'''Marhhish''' {{Pronunciation|mahr-HISH}}, the Bringer of Pain, is a goddess of disease, injury, undrinkable water, and pests. Of the five she is the most likely to act against specific individuals that displease her, rather than against their entire community, sending to them unbearable pain that they alone can feel. Once angered she keeps grudges forevermore, and even if placated through proper sacrifices may continue to punish those who offend her decades later.


Mithrai does not, however, condone mindless violence. An attack against a defenseless foe is a slaughter, not a fight. Victory is hollow against an enemy who can no longer pose a challenge.
Marhhish acts with great precision, dispensing retribution in ways carefully chosen to match the affront. Those who fail to give her the proper libations, for example, may find their particular well tainted and undrinkable, though if they attempt to quench their thirst from the well of another she will not hesitate to share her punishments. She may torment directly by refusing to let one slake their thirst or by inflicting some hurtful wound, or else indirectly through letting a disease fill her role for her.


== Followers ==
The oracles tasked with interpreting Marhhish's omens are also commonly healers, working to limit the extent of her meddling by performing the proper rites, offering sufficient sacrifices, and tending to those afflicted by her touch should their previous efforts fail. Hers is the most diffuse and least centralized of all the Taruhmite churches. Cults worshiping Marhhish often attempt to unleash diseases in order to bring glory to their goddess.
Mithrai's faithful vary widely in alignment, status, and role. She will accept any who prove themselves through combat, whether that be an honorable soldier, a greedy brigand, mercenaries, or something else entirely. She is also worshiped widely by many competitive fighters and others whose combat takes more codified and considerably less lethal forms. Battlefield medics, war clerics, and surgeons all count amongst her faithful as well.


Perhaps more so than with any other deity, followers of Mithrai frequently find themselves on opposing sides. To her devotees, to fight another of the faith is one of the highest forms of worship possible, an opportunity to show one’s mastery of their chosen form of combat. Clerics of Mithrai often seek each other out in order to issue challenges in the form of ritualized prayer-duels. Wargames carried out by commanders are often seen as a form of worship as well.
As with other deities of the Taruhmite pantheon, Marhhish is given no appearance. Her omens commonly manifest as water that remains still regardless of the winds and the waves, unexplained small injuries, or insects that appear to watch one's activities.


=== Church structure ===
=== Edicts and anathema ===
Followers of Mithrai generally eschew formal church structures. Temples to the goddess rarely officially affiliate with each other, though they generally maintain friendly if competitive relations. In places at war with each other, temples to Mithrai are often seen as neutral space where combatants can meet with the promise of protection.
{{DeityReference
|edicts = None
|anathema = None
}}
}}


=== Holy text ===
== Dwarven pantheon ==
Mithrai's holy text is the ''Battle of the Gods'', an epic poem narrating the tale of the fight between Lotan and the other gods at the beginning of creation. Followers to Mithrai often modify this poem to retroactively insert their saints into the epic, usually as attendants to Mithrai.
{{Clear|
{{DeityInfobox
|name = Myrmoris
|image =
|titles =
* Crypt-Guard
|type = Pantheonic deity
|pantheon = [[Dwarven pantheon]]
|adjectives = Mithraian
|plane = Material
|alignment = Neutral
|areas_of_concern = Conflict, weapons, healing, the dead
|worshipers = Soldiers, healers, guards
|cleric_alignments = {{Alignment grid
| on  | on  | off
| on  | on  | off
| off  | off  | off
}}
|domains = Ambition, Healing, Might, Protection, Zeal
|divine_font = Heal or Harm
|divine_skill = Athletics or Medicine
|divine_ability = Dexterity or Strength
|favored_weapon = Greataxe
|symbol = Skull surrounded by a bundle of herbs
|sacred_animal = Snow leopard
|sacred_colors = Black
}}


=== Relations ===
'''Myrmoris''' {{Pronunciation|mer-MORE-iss}} is a goddess of conflict, weapons, healing, and the dead. In the Dwarven pantheon the goddess takes on a rather protective form as the patron of guards who destroy those that threaten their towns and cities. She is a patient goddess who is willing to wait out her foes if necessary.
The faithful of Mithrai generally care little for theological disagreements or religious rivalries. They almost always have neutral to friendly relations with other faiths.


== Depiction ==
Myrmoris taught the first [[dwarf|dwarves]] the importance of an active defense. One cannot rely only on being well-armored and fortified, as [[Tandlan]] teaches, but rather must actively seek out those who would cause grievous harm to your community and stop them before they can set such plans into motion. Soldiers, guards, and mercenaries often pray to Myrmoris, as do healers and herbalists.
Though the details vary heavily by culture and location, Mithrai is usually depicted as a battle-scarred soldier. Dressed in practical armor with minimal ornamentation and typically carrying a greataxe, most renditions of Mithrai are rather mundane in nature, rarely evoking direct divine symbolism. She is often depicted in the company of an armored animal companion, usually a large cat native to the region but sometimes another creature instead.


== Variations by pantheon ==
Many dwarves see Myrmoris as a death goddess. She does not judge departed souls, as that falls under [[Tharrus]]' purview, but rather protects them. Interred bodies of the deceased are closely watched by both Myrmoris and her clerics, who often make the defense of tombs and mausoleums part of their regular duties.


{| class="wikitable sortable"
Temples to Myrmoris often simultaneously serve other purposes as hospitals and clinics. Her clergy are well-known for their focus on healing magic, which they use freely to help all in need of tending.
!Pantheon
!Name
!Notes
|-
|Aserdian
|'''Markab'''
|'''Markab''' {{Pronunciation|MAR-cab}} is a goddess of war, conflicts, and healing. She is widely seen as a deity one worships out of necessity, prayed to when threatened and in need of strength. Many pray to her in times of strife, but in other times she remains a relatively minor deity in the pantheon. As is common with interpretations of the goddess across pantheons, Markab and her clergy do not condone mindless violence. An attack against a defenseless foe is a slaughter, not a fight. Victory is hollow against an enemy who can no longer pose a challenge.


Her followers vary widely, from tribal warriors to professional city guards to the herder that picks up a weapon to defend their flock. Her most devout frequently set up sparring matches with each other, using the ritualized violence as a form of prayer. Temples and priests of Markab are not especially widespread. Those that do exist rarely keep holy texts, preferring to learn from direct experience in the form of challenges sent from their goddess over picking up knowledge from a book.
Myrmoris is usually depicted as an older dwarven woman dressed in the black robes of an herbalist, holding medicinal herbs in one hand and a skull in the other.


Markab is depicted as a scarred warrior, usually dressed in practical armor with minimal ornamentation and carrying some type of weapon, most often a spear. In some depictions her weapon is shown as broken, representing those that continue to fight for survival even when the odds are strongly against them. She is nearly always pictured in the company of an armored animal companion, usually either a large cat or a dinosaur.
=== Edicts and anathema ===
|-
{{DeityReference
|Chaskan
|edicts = Protect burial places, practice and hone your abilities, maintain your weapons and armor, heal the wounded
|'''Mithrai'''
|anathema = Allow a threat to continue, ignore an issued challenge, kill or injure surrendered opponents
|In the Chaskan pantheon, Mithrai is closely associated with adventurers that fearlessly set out to brave the dangers of the world.
}}
|-
}}
|Hellean
|'''Meda'''
|In the Hellean pantheon, Meda is seen as a headstrong instigator of fights.
|-
|Khapeshan
|'''Maahes'''
|In the Khapeshan pantheon, Maahes takes a very chaotic form, worshiped for strength yet simultaneously feared for the blood-lust she unleashes. She is also widely associated with beer and alcohol, said to be able to satiate her appetite for destruction.
|-
|Laurentian
|'''Vihansa'''
|In the Laurentian pantheon, Vihansa is seen as closely related to [[Nemedaz]], an intrinsic part of the violence of a harsh landscape. Her aspect as a goddess of healing is especially important to followers of her Laurentian form.
|-
|Dwarven
|'''Mismora'''
|In the Dwarven pantheon, Mismora takes on a more protective form as the patron of guards who destroy subterranean enemies.
|-
|Elven
|'''Maris'''
|In the Elven pantheon, Maris is seen as less associated with combat and more with tactics and strategy. Compared to other cultures and pantheons, those that follow the Elven pantheon usually think of Maris as a more patient deity.
|-
|Orcish
|'''Nadkol'''
|In the Orcish pantheon, Nadkol is commonly called on for strength in times of crisis, but her worship is otherwise typically de-emphasized in favor of the protective aspects of [[Mortuga]].
|}


{{Deities}}
{{Deities}}

Latest revision as of 14:42, 18 July 2024

Fight for glory! For yourself, for your country, for your cause - Mithrai cares not why. She revels in it all the same, in the clash of steel and the blast of a fireball. Create such a spectacle through your battles that Mithrai herself will be called down to watch.
—Excerpt from a speech by an unknown Razivian battle-warden

Mithrai (pronounced mith-RIGH) is a pantheonic goddess commonly associated with conflict, weapons, tactics, and healing.

Abanir pantheon

Uxtama (pronounced ooks-TAH-mah) the War-Horse is a goddess of war, strife, horses, and hunting. She is the patron of the targai, the nomadic peoples of the Aban Steppe. Uxtama is simultaneously caring and capricious, favoring only the strong and willing to abandon on a whim those she formerly smiled upon, yet going to great lengths to benefit those who keep her satisfied. Targai warriors and mercenaries commonly give tributes to Uxtama, as do herders, city guards, and others whose lives require the need for martial training.

Uxtama's holy animal is the horse, thought to be the goddess's first gift to the world. Originally granted to a tribe in the time before history, the horses escaped into the broader world after the tribe disappointed Uxtama through their complacency. In their role as holy animals, horses reflect the practicality of the goddess. They are venerated as gifts from the divine world, yet it is also completely acceptable to butcher them, eat their meat, and tan their hides, as nourishment and resources are no less important to maintaining one's strength than prayer.

Great effigies in equine forms dot the open steppe of Abanir, built by the targai clans in honor of the goddess. These wood and bone statues are constructed over the sites of fruitful hunts or victorious battles to let Uxtama see the results of her blessings.

Uxtama is usually depicted as a horse, painted and draped in bone ornaments.

Edicts and anathema

Edicts
Practice and hone your abilities, maintain your weapons and armor, defeat those who threaten you
Anathema
Ignore an issued challenge, allow others to fight your battles for you, mistreat a horse

Aserdian pantheon

Markab (pronounced MAR-cab) is a goddess of conflict, weapons, tactics, and healing. She is widely seen as a deity one worships out of necessity, prayed to when threatened and in need of strength. Many call upon her in times of strife, but in other times she remains a relatively minor deity in the pantheon. As is common with interpretations of the goddess across pantheons, Markab and her clergy do not condone mindless violence. An attack against a defenseless foe is a slaughter, not a fight. Victory is hollow against an enemy who can no longer pose a challenge.

Her followers vary widely, from tribal warriors to professional city guards to the herder that picks up a weapon to defend their flock. Her most devout frequently set up sparring matches with each other, using the ritualized violence as a form of prayer. Temples and priests of Markab are widespread, but they almost never preach or proselytize, as her followers prefer to learn from direct experience in the form of challenges sent from their goddess.

Markab is depicted as a scarred warrior, usually dressed in practical armor with minimal ornamentation and carrying some type of weapon, most often a spear. In some depictions her weapon is shown as broken, representing those that continue to fight for survival even when the odds are strongly against them. She is nearly always pictured in the company of an armored animal companion, usually either a large cat or a dinosaur.

Edicts and anathema

Edicts
Practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
Anathema
Seek out fights, kill or injure surrendered opponents, allow others to fight your battles for you

Chaskan pantheon

Mithrai (pronounced MITH-righ) is the goddess of conflict, weapons, tactics, and healing. She is closely associated with adventurers and those who willingly set out to brave the dangers of the world.

Mithrai's faithful vary widely in alignment, status, and role. She will accept any who prove themselves through combat, whether that be an honorable soldier, a greedy brigand, mercenaries, or something else entirely. She is also worshiped widely by many competitive fighters and others whose combat takes more codified and considerably less lethal forms. Battlefield medics, war clerics, and surgeons all count amongst her faithful as well. The goddess does not, however, condone mindless violence. An attack against a defenseless foe is a slaughter, not a fight. Victory is hollow against an enemy who can no longer pose a challenge.

Perhaps more so than with any other deity, followers of Mithrai frequently find themselves on opposing sides. To her devotees, to fight another of the faith is one of the highest forms of worship possible, an opportunity to show one’s mastery of their chosen form of combat. Clerics of Mithrai often seek each other out in order to issue challenges in the form of ritualized prayer-duels. Wargames carried out by commanders are often seen as a form of worship as well.

Born from the ferocity of the struggle between Socharin and Lotan at the dawn of creation, Mithrai embodies the violence of combat. The reason for the fight or the methods used are irrelevant to her - all that matters are the emotions, strength, and sheer bravery that get swept together into the maelstrom of battle. Mithrai is not only the patron of those that fight, however, but also of those that ensure combatants can live to spar another day. The healers, the protectors - all involved in battle are glorious to Mithrai, not only the warriors themselves.

According to many of her clergy, Mithrai is one of the most frequent allies of Harinna in her great divine battles against Lotan. She often steps back from this role, however, in order to ensure no side gains an advantage and the fighting continues unabated. The displays of prowess involved are so extraordinary, so it is said, that she is willing to risk giving Lotan a chance in order to make sure the battles never cease.

Followers of Mithrai generally eschew formal church structures. Temples to the goddess rarely officially affiliate with each other, though they generally maintain friendly if competitive relations. In places at war with each other, temples to Mithrai are often seen as neutral space where combatants can meet with the promise of protection.

The goddess' holy text is The Battle of the Gods, an epic poem narrating the tale of the fight between Lotan and the other gods at the beginning of creation. Followers to Mithrai often modify this poem to retroactively insert their saints into the epic, usually as attendants to the goddess.

Though the details vary heavily by culture and location, Mithrai is usually depicted as a battle-scarred soldier. Dressed in practical armor with minimal ornamentation and typically carrying a greataxe, most renditions of Mithrai are rather mundane in nature, rarely evoking direct divine symbolism. She is often depicted in the company of an armored animal companion, usually a large cat native to the region but sometimes another creature instead.

Edicts and anathema

Edicts
Seek opportunities for worthy fights, practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
Anathema
Ignore an issued challenge, kill or injure surrendered opponents, allow others to fight your battles for you, become complacent

Khapeshan pantheon

Maahes (pronounced MAH-hess) is a goddess of conflict, weapons, tactics, healing, and alcohol. The capricious goddess is simultaneously a fighter and a healer, one who can both cause grievous injuries and tend to wounds, all depending on her unpredictable whims.

Maahes is the patron of many disparate groups. Soldiers and adventurers worship her for her martial domains, while healers and herbalists do so in hopes of receiving divine guidance in tending to their patients. Her followers vary widely in alignment, as the goddess will accept any whose actions do not further the interests of Apep. Maahes is also the patron of brewers, who often invoke the goddess to bless their alcohol.

As the warrior of the gods, Maahes is one of Harakhte's most important attendants in the battles against Apep. Though the other gods rely on Maahes heavily to keep the Serpent at bay, they simultaneously fear her. Maahes' bloodlust after each nightly encounter is so great that she sometimes refuses to stop fighting after Apep retreats at the coming of the dawn, turning her violent attentions to the other gods instead. Every time she does so they lead her to one of the Rivers of the Dead, to a particular waterway said to flow with endless beer. Her attentions diverted, Maahes drinks until she calms and rests, forgetting her battles for a time. This is said to be the only way Maahes can be placated.

From their grand temple in Naqada, a city in lower Khapesh, the priesthood of Maahes provides guidance and instruction to the many other temples to the goddess that can be found across the kingdom. Temples to Maahes are extremely important places in most communities, as their clergy are expert healers renowned for their ability to treat nearly any injury or ailment through both magical and mundane means. Many travel Khapesh and abroad, serving as itinerant war clerics who solve the troubles of the places they venture, whether that come in the form of defeating local foes or tending to the sick.

Maahes is depicted as a lion-headed figure, often holding weaponry of various types.

Edicts and anathema

Edicts
Seek opportunities for worthy fights, practice and hone your abilities, maintain your weapons and armor, heal a wounded fighter
Anathema
Ignore an issued challenge, allow others to fight your battles for you, abstain from alcohol

Kirnashal pantheon

Mihr (pronounced MEER) the Instigator is a goddess of many domains, including beginnings and endings, healing, art, violence, and the day. She is the chaotic counterpart of Sraosheh and the divine embodiment of the cosmic force of change.

In the teachings of Mihr, change is the only constant. Frenzied and aggressive, she is driven by a ceaseless desire to transform and alter the world, even if these acts are only for their own sake. The goddess and her clergy promote artistic expression, creativity, and even violence at times.

Priests of Mihr are healers and fighters alike, as both creation and destruction lead to a changed world. Many are accomplished artists within the employ of the monarchs of Amshan, or otherwise seek outlets for creative expression in honor of their goddess.

Depictions of Mihr tend to be ostentatious, portraying the goddess as a humanoid figure in motion, clothed in elaborate and colorful robes bearing either intricate patterns or imagery of the sun. Mihr and Sraosheh are often portrayed as two halves of a whole, sometimes in a very literal manner as two faces on opposite sides of one head.

The clergy of Mihr and Sraosheh nearly always share temples and worship in close proximity to each other. In these temples Mihr's clerics create beautiful patterns in their sand floors every morning, which over the course of the day become indistinct and eventually erased completely by the ritual pacing of her followers. These acts represent the endless change brought by Mihr.

When the Scales tilt in Mihr's favor, the world becomes more chaotic, dynamic, and innovative.

Edicts and anathema

Edicts
Creatively express yourself, heal a wounded fighter, ask questions, seek opportunities to change the world
Anathema
Create repetitive or derivative works, become complacent, tolerate stagnancy, follow orders unquestioningly

Talgazan pantheon

Vihansa (pronounced vee-HAN-sah) is a goddess of healing, conflict, and weapons. She is both the patron deity of those that tend to the physical and psychological ailments of others as well as the goddess that aids mortals in inflicting such injuries. All knives are guided by Vihansa, whether the blade is intended to heal or harm.

Vihansa's faithful can vary widely, from the fiercest and toughest warriors to those that tend to their communities without lifting a hand in violence. Her two distinct sides are not seen as oppositional, however, but rather as inseparable. Sometimes to heal one it is necessary to harm another, but application of both must be measured and careful. The priesthood of the goddess teaches patience, planning, and forethought over actions borne of instinct or emotion.

Vihansa is usually depicted as a woman wearing a traditional healer's bone mask, armed with both an obsidian surgical blade and a spear.

Edicts and anathema

Edicts
Tend to the ailments of others, seek opportunities for worthy fights, maintain your weapons and armor, act carefully
Anathema
Kill or injure surrendered opponents, allow others to fight your battles for you, take hasty action

Taruhmite pantheon

Marhhish (pronounced mahr-HISH), the Bringer of Pain, is a goddess of disease, injury, undrinkable water, and pests. Of the five she is the most likely to act against specific individuals that displease her, rather than against their entire community, sending to them unbearable pain that they alone can feel. Once angered she keeps grudges forevermore, and even if placated through proper sacrifices may continue to punish those who offend her decades later.

Marhhish acts with great precision, dispensing retribution in ways carefully chosen to match the affront. Those who fail to give her the proper libations, for example, may find their particular well tainted and undrinkable, though if they attempt to quench their thirst from the well of another she will not hesitate to share her punishments. She may torment directly by refusing to let one slake their thirst or by inflicting some hurtful wound, or else indirectly through letting a disease fill her role for her.

The oracles tasked with interpreting Marhhish's omens are also commonly healers, working to limit the extent of her meddling by performing the proper rites, offering sufficient sacrifices, and tending to those afflicted by her touch should their previous efforts fail. Hers is the most diffuse and least centralized of all the Taruhmite churches. Cults worshiping Marhhish often attempt to unleash diseases in order to bring glory to their goddess.

As with other deities of the Taruhmite pantheon, Marhhish is given no appearance. Her omens commonly manifest as water that remains still regardless of the winds and the waves, unexplained small injuries, or insects that appear to watch one's activities.

Edicts and anathema

Edicts
None
Anathema
None

Dwarven pantheon

Myrmoris (pronounced mer-MORE-iss) is a goddess of conflict, weapons, healing, and the dead. In the Dwarven pantheon the goddess takes on a rather protective form as the patron of guards who destroy those that threaten their towns and cities. She is a patient goddess who is willing to wait out her foes if necessary.

Myrmoris taught the first dwarves the importance of an active defense. One cannot rely only on being well-armored and fortified, as Tandlan teaches, but rather must actively seek out those who would cause grievous harm to your community and stop them before they can set such plans into motion. Soldiers, guards, and mercenaries often pray to Myrmoris, as do healers and herbalists.

Many dwarves see Myrmoris as a death goddess. She does not judge departed souls, as that falls under Tharrus' purview, but rather protects them. Interred bodies of the deceased are closely watched by both Myrmoris and her clerics, who often make the defense of tombs and mausoleums part of their regular duties.

Temples to Myrmoris often simultaneously serve other purposes as hospitals and clinics. Her clergy are well-known for their focus on healing magic, which they use freely to help all in need of tending.

Myrmoris is usually depicted as an older dwarven woman dressed in the black robes of an herbalist, holding medicinal herbs in one hand and a skull in the other.

Edicts and anathema

Edicts
Protect burial places, practice and hone your abilities, maintain your weapons and armor, heal the wounded
Anathema
Allow a threat to continue, ignore an issued challenge, kill or injure surrendered opponents